In the modern music landscape, few things are as polarizing as the posthumous release. Most of the time, unfinished music gets pieced togeth...

The trail of desire that leads to Jack Antonoff, writer and producer of some of the biggest pop albums released within the past decade, is a...

Formalizing the declaration of A Tribe Called Red's 2016 album We Are the Halluci Nation by adopting it as their new name, the Halluci Natio...

Somewhere between the 10 p.m. coffees and 10 a.m. tequilas, Leon Bridges found a groove. Recorded during two years' worth of all-night jam s...

For Toronto's Erez Zobary, making music has long been about healing. Working through debilitating vocal nodules and stage fright has all bee...

One hesitates to pin Yellow, Emma-Jean Thackray's official debut full-length, down with a reductive label such as "jazz fusion." The genre n...

The posthumous album has sadly been a staple in hip-hop for years, occasionally resulting in legacy-cementing projects like J Dilla's immacu...

It's a shame that Descendents put off finishing 9th & Walnut for so long, as an album this focused and snotty would have surely launched a k...

A funny thing happened on the way to Darkside's return from hiatus. After all, Nicolas Jaar and Dave Harrington announced that the band was...

If those sharing Clairo's understated viral hit "Pretty Girl" in 2017 could time travel to our heat-warped present, it's entirely possible t...

Willow Smith didn't think she was capable of singing rock music. Her pivot from dreamy pop and R&B to angsty punk rock was a surprise to her...