Catherine Debard's YlangYlang project has seen an abundance of excellent releases since her initial offering in 2012. Her catalogue is also...

Marcus King searches for the lost city, and a new identity, on his solo debut, El Dorado.   The 23-year-old has been renowned as a blues p...

There will be few records this year with half the vibrating life of Hut Hut's Hut Hut Hut. Raised from the grave of the recently deceased Bo...

Armed with his "Banjotron 5000," Mike Savino — also known as Tall Tall Trees — is changing the way you perceive the banjo. If you're imagini...

In the years since 2015's majestic Gliss Riffer, between scoring multiple film projects and working on his own videogame, art-rave wizard Da...

In December, CBC Music named Kim Harris's Heirloom one of the 25 albums to look forward to in 2020. Aptly, Harris responded with a record th...

Australia's finest garage punk trio Dune Rats are back with their third full-length album, Hurry Up and Wait. Riding off their highly succes...

Dan Bejar was flirting with disaster when he began writing the latest Destroyer record. Originally conceived as a Y2K throwback, Have We Met...

Originally released in 1980, Akiko Yano's double LP Gohan Ga Dekitayo comes from a busy period of her career: she was actively collaborating...

If the optimistic title of Squarepusher's latest record, Be Up a Hello, doesn't speak to its playful nature, then the briefest of listens wi...

Based on the glowing reviews that Drive-By Truckers received for their last LP, 2016's American Band, it's seems like critics were just wait...