The seven songs on House of Mirrors present the listener with a healthy range of human emotions delivered through highly refined, succinct,...

Cool Waters is a testament to what can be accomplished by an imaginative musician with a digital audio workstation, talent, patience and elb...

22 years removed from their last release, Hum have returned with Inlet, their best album to date. Since 1998's Downward Is Heavenward, they'...

At a time when borders are closed and airlines are iffy, Ciel travels by ear. Her vast showcase of samples spans cross-cultural references a...

On their sophomore album, Kamloops-based band Mother Sun fully dive into the world of lo-fi psychedelic jazz pop. The band stay true to thei...

Having generated some decent buzz via a handful of EPs over the last few years, French duo Grand Soleil have returned with another set of li...

"I don't have a sigh to take," sings Margo Price, exhaling raw anguish while stretching those already poignant lyrics out for added effect,...

A regrettable effect of the old school death metal revival is too many bands hyperfocusing on one chapter of the genre's history, pigeonholi...

It's easy to argue that Finland's premier folk metal band have perfected a formula that doesn't ever need to be changed. After a couple of m...

There's a moment during "Last Train," the closing track to Monsters — the third full-length album from synthwave duo and online sensation th...

100 gecs tend to elicit a lot of strong opinions, as well as a lot of questions: Are they for real? Did they just call someone a "piss baby?...